Ajoutée le 8 sept. 2014
Court-métrage d’animation de fin d’études (promotion 2013).
Réalisateurs : Augustin Clermont, Gilles Cortella, Marthe Delaporte, Clement De Ruyter, Maïlys Garcia, Gaspard Sumeire, Pierre Rütz.
Acteurs : Vincent Demoury, Marie-Aline Roule.
Une châtelaine et un jeune chevalier batifolent dans la forêt lorsqu’ils découvrent Excalibur. Ils se lancent alors dans un jeu de séduction délirant.
A high-born lady and a young knight are frolicking in the forest when they come across Excalibur, which leads them to a silly game of seduction.
Contact Production :
GOBELINS, l’école de l’image : Moïra Marguin, firstname.lastname@example.org.
Contact Festival :
GOBELINS, l’école de l’image : Luce Grosjean, email@example.com.
La distribution des films produits par GOBELINS, l’école de l’image est assurée par L’Agence du court métrage.
Contact : firstname.lastname@example.org.
If tomorrow starts without me
:: Editing/Grading : After Effects
:: Camera : Canon 1DC 4K 25p
:: Lenses : Sigma Art 35mm 1.4, Canon 24-50-100 L
:: Locations : India, Vietnam, Senegal, Morocco
:: Music : Hammock - Mono No Aware
:: Voice over : Tom O’Bedlam
:: Production : blacknegative
A blocked novelist reflects on a pivotal year in his life when he struggled for the attention of his bickering parents. Short of the Week. 2014 Emerging Cinematographer Winner, and many others.
Thanks for watching! Be part of our next film: kickstarter.com/projects/1768290555/the-chaplain
The streetlight which lights up the city.
The light draws various form.
Final bastion before the Antarctic Circle, The Falkland Islands are home of millions of penguins living on the edge, including some little-known endangered species facing great threats. This short film strives to highlight those endangered species, it is the result of three weeks of filming in five remote islands.
This film was shot with my regular photographic gear:
- Canon EOS 5D Mark III (standard firmware)
- Canon EF 70-200mm f/2.8L IS II USM
- Canon EF 17-40mm f/4L USM
- Fish-eye 8mm
- Lightweight carbon tripod (although a good handful of shots were handheld)
- F-Stop Gear Tilopa BC backpack
No specific video equipment was used, apart from one shot made with a track slider, and the Gentoo landing at 04:26 which was shot with a GoPro Hero 2 (which was a few inches from being caught by the sea!)
Yes, the wind is at its true speed and no, there was not a single grain of sand into my backpack after the sandstorm at 06:37 ;-)
A film by Stanley Leroux - stanleyleroux.com
In association with Elisa Berthomeau
Produced by Stellar Editions - stellar.fr
Music by Ólafur Arnalds, Marika Takeuchi, Mark Isham & Clint Mansell
To learn more about penguin conservation issues, visit my friends at falklandsconservation.com
LIVE INSTALLATION ON 2014/8/28
NOBUMICHI ASAI (PLANNER / PRODUCER / TECHNICAL PRODUCER - P.I.C.S.)
HIROTO KUWAHARA (ART DIRECTOR & MAKEUP)
PAUL LACROIX (TECHNICAL DIRECTOR / PROGRAMMER - TRANSIT DIGITAL WORKS)
JIN HASEGAWA (CG DESIGNER - SPADE)
TAKASHI ISHIBASHI (CG DESIGNER - SPADE)
AYAKA MOTOYOSHI (PRODUCTION MANAGER - P.I.C.S.)
AYA KUMAKURA (PRODUCTION MANAGER)
YOSHIHIRO UENO (PRODUCTION MANAGER - P.I.C.S.)
KAZUHIRO NAKAMURA (COLORIST - McRAY)
KENJI NAKAZONO (PHOTOGRAPHER - CREATIVE STUDIO WORKS)
KIMIHIRO MORIKAWA (PHOTOGRAPHER - SHOOTING & LIGHTING)
RHEA TOR’S INC.
K.FURUMOTO (HAIR - &´S MANAGEMENT)
YUKA SEKIMIZU (MODEL - SATORU JAPAN)
HIDEAKI TAKAHASHI(MUSIC - mjuc)
Timelapse & Edit by Kirill Neiezhmakov
music: Morcheeba - World Looking In (Que & DJ Fenner Remix)
This timelapse was shot in May 2014 when I came on ceremony of award in film festival “Finisterra 2014” (with my “Moscow 2014 Hyperlapse” vimeo.com/87089581 in category “Best Timelapse” ). It was in Sesimbra. Also I visited capital of Portugal - Lisbon. I’m very like this place and kind people there.
Special thanks for help in shooting to my friend Francesco Cerruti and to my wife Aleksandra
Thanks for support this project to “Hotel Do Mar”(hoteldomar.pt) and “Sesimbra Hotel & Spa” (sesimbrahotelspa.com)
And also thanks to Carlos Sargedas director of Finisterra Arrábida Film Art & Tourism Festival who invited me on ceremony of award.
Some backstage photos: timelapse.pt/blog/2014/08/13/lisboa-e-sesimbra-em-timelapse-e-hyperlapse/
Canon 60d, 550d
Sigma 10-20 mm 4.0-5.6
Samyang 8 mm 3.5
Canon 17-55 mm 2.8
Canon 70-200 mm 4L
Vanguard Alta Pro tripod
GoPro Hero 3
Konova K5 motorized slider konovaphoto.com
I recently embarked on a three week trip to Paris, to try and capture the city in all its glory. I had never visited the city before, and was quickly struck with how beautiful it is. My aim was to capture the classic sights; ornate buildings and typical Parisian activities, and contrast that to the modern business side, towering glass glad skyscrapers and fast paced life.
I felt very lucky to have been in Paris when the massive thunderstorm started. I had seen the weather forecast, and made sure to position myself in among the skyscrapers. The storm started off slow, but very quickly built up to be absolutely ferocious. The lightning was hitting almost every other second, and some bolts were taking up the entire sky. The following night another huge storm hit Paris, and I spent the night furiously cycling around whilst grabbing as many shots as possible. I would set up, grab a sequence and as soon as the lightning moved away I gave it warp nine and cycled to my next spot as quickly as possible. By the end of the night I was freezing cold and completely soaked.. but content with what I had managed to capture.
Cue three weeks of shooting, followed by roughly 5 weeks of editing.. I think in total I spent over 400 hours working on this project, which means that every single second of video took two and a half hours to produce. The video was entirely self-funded, and shot purely out of my love for timelapse. If you enjoyed the video, please pass it along to a friend.
To keep up to date with my latest work, you can find me on facebook at facebook.com/paulrichardsonphoto For the tech-heads, I used a Canon 6D, 17-40 f4, 50mm 1.8, and a 70-200 f4. The motion control sequences were shot on a home built dolly, coupled to a emotimo TB3.
Most of the footage is available to license in 4k. If you require any custom sequences, I’m also available to work on commissions. For any enquiries, please contact me at paul[a-t]agour.co.uk